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Lagniappe, @MilesBJordan

504-907

Artist: Miles B. Jordan

Project: “504-907”

Description: My project, “504-907,” delves into a visual comparison of two distinct yet intertwined regions—Southern Louisiana and Interior Alaska—through the lens of diptych compositions. Inspired by personal experiences and pivotal events such as Hurricane Katrina and the Deepwater Horizon disaster during my upbringing, this work seeks to unearth the daily rhythms and cultural subtleties that define these landscapes.

Through a fusion of traditional street and documentary photography techniques, I capture the essence of daily life in New Orleans, Louisiana, and Fairbanks, Alaska. The diptych format serves as a storytelling tool, juxtaposing each locale’s ordinary elements and unique characteristics. People, dwellings, and the minutiae of urban life—like graffiti—converge to reveal underlying connections and distinctions.

At its core, “504-907” reflects the profound yearning for connection and preserving cultural identity in the face of relentless change. It aims to evoke a shared nostalgia and sense of belonging, encapsulating cherished traditions and the looming specter of transformation. Additionally, it aims to push forward the Southern fine art tradition similar to the likes of William Eggleston and William Christenberry. My work is similar to Tina Freeman’s “Lamentations” as well. 

Faith, @MilesBJordan

Laissez Les Bon Temps Rouler, @MilesBJordan

Houses, @MilesBJordan

Textures, @MilesBJordan

Dives, @MilesBJordan

One of a Kind, @MilesBJordan

Restaurants, @MilesBJordan

Storefronts, @MilesBJordan

The Work, @MilesBJordan

The Lights, @MilesBJordan

Good Boy, @MilesBJordan

Chairs, @MilesBJordan

Dalipidation, @MilesBJordan

4304.4 Miles, @MilesBJordan

In Search of God, @MilesBJordan

4x5 17, @MilesBJordan

4x5 20, @MilesBJordan

Live Music, @MilesBJordan

Standards, @MilesBJordan

Primary Walks, @MilesBJordan

Doors, @MilesBJordan

Sunglasses, @MilesBJordan

The Lead, @MilesBJordan





Miles B. Jordan

Miles B. Jordan is a self-taught photographer who received his MFA in photography from the University of Alaska. Jordan’s work has been showcased in nearly half of the United States. His photography, which spans digital, analog, and infrared mediums, explores cultural and environmental transformation. His solo exhibitions include “504-907” at Macomb Community College (2024), the University of Alaska Fairbanks (2024), and “The Yellow Chair Series” at the Alaska Centennial Center for the Arts (2023). He has exhibited nationally in group shows such as “Surreal Salon 17” at the Baton Rouge Gallery (2025), “13th Annual Louisiana Contemporary” at the Ogden Museum of Southern Art (2024), the “49th International Art Show” at the Brownsville Museum of Fine Art (2024), and the “62nd Stockton Art League National Juried Art Exhibition” at the Haggin Museum (2024). His work has received awards, including recognition at the 49th International Art Show at the Brownsville Museum of Fine Art. He is currently pursuing a PhD in Anthropology at Louisiana State University. Miles B. Jordan has presented his work at numerous conferences, including the Society for Photographic Education and the Society for Visual Anthropology’s Visual Research Conference. His research has been featured at the American Anthropological Association Conference, the Delta Symposium, and the LSU Mardi Gras Conference, among others.