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Two Poems

this morning I had the most awful time

Issue 1, Spring 1992

Charles Bukowski, portrait, 2008, by Graziano Origa, courtesy Wikimedia Commons.

a model


I have to be like that
man who entered the
restaurant
tonight,
he parked right in
front
blocking a good many
parked cars,
then slammed his car
door,
walked in,
his shirt hanging out
over his big
gut,
and he saw the
maitre d’,
said, “Hey, Frank,
get me a fucking
table by the window!”
and then followed
him
along.

I have to be like
that man.
this way’s not
working.

for over 70 years
now.


the snake


this morning I had the most awful time

excreting.

I pushed and I worked the

what do you call them?—

sphincters—god, I pushed and

grunted,

felt like an utter fool.

but you go on.

it’s like a flat tire on a freeway,

you get out and try to keep

something going,

giving up could lead to

madness.

so

I kept grunting and pushing,

it hurt.

it hurt so badly and I couldn’t

surmise if there were half a

turd hanging there or

nothing.

 

I continued to grunt and

push.

the edges of the toilet lid

dug into my ass

unmercifully.

a flash of purple shot before my

eyes

 

it was finally out.

I stood up and looked around.

unbelievable!

magnificent!

indubitably the largest turd of our time,

it curled in a full circle around the

edge of the bowl.

 

it was unbroken, thick and fat,

perfectly formed,

a giant brown eyeless snake of

decay.

I stared

at that and had the feeling that

I would live

forever.

 

 I wiped and washed, came

back, took a last memorable

look and flushed it

away.

 

then I was ready for whatever

else

that day would bring

me.

 

 





Charles Bukowski

Henry Charles Bukowski (August 16, 1920 – March 9, 1994) was an American poet, novelist, and short story writer. His work addresses the ordinary lives of poor Americans, the act of writing, alcohol, relationships with women, and the drudgery of work. In 1986, Time called Bukowski a "laureate of American lowlife". Regarding his enduring popular appeal, Adam Kirsch of The New Yorker wrote, "the secret of Bukowski's appeal ... [is that] he combines the confessional poet's promise of intimacy with the larger-than-life aplomb of a pulp-fiction hero."