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Skipping Sundays

Artist: Heather Evans Smith

Project: Skipping Sundays

Description: In her continuing series “Skipping Sundays,” Heather Evans Smith explores her Methodist upbringing in a rural North Carolina town and how having a steadfast belief has remained just out of reach.

“I remember being at a church event with my cousins as a child. The preacher said to the congregation, How many of you have been saved? Everyone promptly raised their hands. Not wanting to be the sole individual with their hand down, I slowly raised mine to join theirs. Why had this magical experience not happened to me? I desired to comprehend why faith held a deeper meaning for them beyond mere attendance at Sunday services, for that was the extent of its significance for me.”

Often, doubters choose to keep their thoughts hidden, especially in the South, when they lack unwavering faith. This decision can lead to a profound sense of isolation, especially when surrounded by individuals who are steadfast in their beliefs. These images delve into the memories of those bygone Sundays and the lifelong pursuit of finding answers. How is it that some can wholeheartedly embrace traditional faith while the rest of us are left questioning?

Puzzle

All That My Arms Can Hold

Stopping Point

Stay Still

At Arms Length

Thirteen

Your Guess Is As Good As Mine

Cross

Unpack

Assimilate

Since I was last there

1987

When Will This Feeling Go Away





Heather Evans Smith

Heather Evans Smith is a lifelong North Carolinian whose work reflects her Southern roots, motherhood, womanhood, and a whimsical imagination she relied on as an only child in a rural town. Her photographic imagery explores the ideas of memory, loss, and family in conceptual settings. Smith’s work has been exhibited in both solo and group exhibitions at venues including the Fox Talbot Museum in Lacock, England, the Nasher Museum of Art at Duke University in Durham, North Carolina, and Leica Galerie Milano in Milan, Italy. She is a Critical Mass 2014, 2018, 2021, and 2024 Top 50 recipient, 2022 Silver List artist, and the CENTER 2022 Me&Eve grant recipient. Her first monograph, Seen Not Heard, was published by Flash Powder Projects in 2016 followed by two self-published monographs, Alterations and Blue.