Dive into Memphis magic with our 26th Annual Southern Music Issue!

From Al Green to Elvis, explore iconic photography and fresh takes on legends through stellar writing from Zandria Robinson, Robert Gordon & more.

Become A Member Shop Login

“Under Arrest” by Anna Dykema, www.annadykemaphotography.com

The Ludowici Trap

The village of Ludowici, in the deep piney lowlands of southeast Georgia, got its name from a German fellow who came there in 1904 to manufacture clay roof tiles. But it was not his accomplishments that made the town famous. Rather, it took thousands of inhospitable acts toward thousands of out-of-town visitors to put Ludowici on the map—to give it a national reputation as one of the most venomous of a particular breed of Southern hamlet. In short: Ludowici was a classic speed trap. 

Yankee snowbirds were routinely nailed by, among other things, a twin set of rubber hoses laid out in the road near Harley Odom’s hog pen, not far from the place where the speed limit plunged suddenly to 25 miles per hour. This ’50s-era device was called a “speed watch” or, appropriately enough, a “speed trap,” and it worked a bit like the bell-ringing hoses that used to lie like snakes outside gas stations. A stopwatch would clock the tires’ first strike, then the second, and then report the car’s speed for a motorcycle cop waiting behind a billboard. And in Ludowici, the speed watch always seemed to be calibrated funny.

The one traffic light in the center of town also had a habit of unexpectedly flashing from green to red—skipping yellow altogether—while cops lurked nearby. Rumor had it that the light was connected via remote switch to a desk in the second-story office of a bus station, where a local stooge sat waiting to push the button and catch yet another driver. The fast-changing “Ludowici light” was known all over the South and became the subject of more complaints to the American Automobile Association than any other traffic signal in the country. Time magazine called it “a magic lamp” in 1959 and noted that it brought in a quarter of the town’s $15,000 annual income. That was just the revenue that made it onto the books. The town clerk was said to have kept Ludowici’s financial records in the trunk of her car for safekeeping—she wanted to keep the documents away from people who might want to obscure where payments were really flowing.

 

A town needs to have two things working in its favor to pull off a scheme like this, and in the decades between the 1940s and the 1970s, Ludowici had both: ideal location and a ring of power brokers who controlled the courthouse and the police. The town sits astride U.S. 301, which was once the main artery into Florida, traveled by a constant stream of tourists who weren’t predisposed to stick around and fight a $25 ticket for doing a hair over the (unexpectedly posted) limit.

Ludowici’s own Mr. Big was a county solicitor named Ralph Dawson, a stout little man with a porkpie hat, a soggy cigar, and a starched shirt gone to yellow. He kept stacks of zero-coupon bonds under his mattress and wore a .38 pistol on his hip. Nobody won local office without his approval, and “the vote was whatever he said it was,” according to longtime resident Brent Klinedinst. Dawson took regular tribute payments from the traffic tickets and the “clip joints” that flourished along U.S. 301. These conniving gas stations and pecan stands lured in tourists to play an unwinnable marble game called Razzle Dazzle, while one particular mechanic nicknamed “Cinch” would sometimes cut the unsuspecting customer’s fan belt or drain their oil before charging a stupendous price for repair. Another gas station owner reportedly mounted a sign that said: LAST GAS BEFORE ENTERING THE SWAMP, even though the larger town of Jesup (and its many gas stations) was just fourteen miles distant. There was a nearby truck stop where a number of slinky waitresses offered, as one local put it, “cold coffee and other hot stuff.” The highway’s income-generating potential reached into the farm fields, as pigs and chickens were allowed to wander onto the asphalt and perhaps be struck by a passing car. When that happened, the guilty driver was shaken down for on-the-spot payments for damages. In death, many a sickly runt was transformed into a blue-ribbon hog that was supposed to feed a family of six for the winter.       

 

Complaints about the goings-on behind the pine curtains eventually reached the office of Governor Lester Maddox, whose penchant for Southern-fried antics rivaled even that of Ludowici. A former factory worker with a correspondence-course high school degree, Maddox was a cartoon-drawing gadfly who became a segregationist folk hero in 1964 when he brandished an ax handle at a group of black Georgia Tech students attempting to dine at his Pickrick Restaurant. He won the governor’s seat by accident: a coalition of party-crossing Republicans and hardcore segregationists made him the surprise winner of a 1966 Democratic runoff against two moderate candidates.

Perhaps looking to defy stereotypes, he picked a high-profile fight with the same rural white constituency that put him into office—and the outcome was like comic opera. Maddox traveled to Ludowici with his trademark ax handle and gave a speech at the Methodist church, promising to “clean up” the town. His idea of a remedy was a unique anti-economic development plan. State workers erected billboards at Ludowici’s two main entrances that proclaimed: BEWARE! DON’T GET FLEECED IN A CLIP JOINT! DON’T GET CAUGHT IN A SPEED TRAP! After locals tore down one of the signs, Maddox posted highway patrolmen on twenty-four-hour shifts to guard them. Dawson and a group of cronies went to the capitol to protest the campaign, and Maddox ordered them out of the governor’s office, calling Dawson a skunk and his cornpone government “corrupt, evil, and just plain bad.” The mafia, he said, would look like “Sunday School children compared to that bunch down there.”  

 

Courthouse thugs like Dawson derived their power from Georgia’s antiquated “county unit” system, in which even the smallest county in the state was guaranteed a seat in the General Assembly, diluting and disempowering the growing urban concentrations of blacks. (This is why Georgia has 159 counties even today, second only to Texas.) Some of the counties arguably never should have been created in the first place, like Long County, home of Ludowici, which was hastily carved out in 1920 and named for the first surgeon in the world to use anesthesia. Nothing much ever grew there except old trees and Spanish moss and a few marginal fields of tobacco and corn; water quickly seeped into any holes dug in the sandy soil. As the Long County seat, Ludowici had a population of barely 1,500 people in its prime, though, like Georgia’s other rotten boroughs, it still commanded outsized power for its ability to deliver votes to the Democratic machine in Atlanta, and rural despots could run things as they pleased. “Votes often are sold for a dollar and a slug of stump rum,” noted Harper’s writer Calvin Kytle in 1948. “The dead and insane are voted, returns frequently are not counted at all but concocted.”

There was another force that kept the speed traps running, according to historian Tammy Ingram, author of Dixie Highway: Roadbuilding and the Making of the Modern South, 1900–1930. “Roads were funded locally and people resented those just passing through,” she said. “There was tension between the locals and the tourists from the start.”

The idea of country cousins scoring a victory over rich New Yorkers in their fancy cars also tapped into a body of “trickster” mythology common to both black and white Southerners; the charming rogue who occupies a subservient position, but still manages to put one over on the hypocritical overseer. Jimmy Smith, a local political observer who knew Ralph Dawson, put it this way: “It’s one of the poorest areas of the country, and here are all these Packards and Cadillacs coming through, and well . . . a man’s got to do what a man’s got to do.”  

 

I went to Ludowici to visit with Price Chapman, Jr., the son of the man who built the town’s now-razed bus station, where the button that switched the traffic light from green to red was supposed to have been hidden. Chapman denied a switch was located there (though he acknowledged there had been slot machines in the basement). He took me around on a mini-tour of the town’s historic roadside skullduggery, showing me the weathered billboard that used to shield the motorcycle cops from view, the stretch of road where the rubber hoses were laid, and the diagonal street that locals could use to avoid the infamous flashing light. Chapman is a good-humored man and pillar of the Jones Creek Baptist Church—he didn’t fleece any snowbirds himself. But he could recall the sense of righteous justification in the air back then.

“It was wrong what we did, but there’s a big cultural thing in this city between North and South, and they thought it was the right thing to do if they could put one over,” he told me. “It was the victory of the Southern mind over Yankee engineering . . . but that was just an excuse to pick people’s pockets.”

Another irony lurks behind the billboard. Evidence shows that speed traps don’t make roads even marginally safer. Instead, they create more red asphalt.

“A lot of people believe that speed kills and all you have to do is lower the numbers on the signs, and that’s just not true,” said James Walker of the National Motorists Association. Highway engineers have known since the 1930s that the relationship between velocity and crash risk is far more complex than that and has more to do with the “pace” of the road—the natural speed of free-flowing traffic in good weather conditions. A researcher named David Solomon charted a mathematical swoosh he called the “Solomon curve” in 1964 to show that the safest clip on any given highway is going to be within a ten-mile-per-hour band around the median speed of the road; further analysis showed that slower-moving vehicles were responsible for a surprising number of crashes. 

 

There seems to be something tantalizing about U.S. Route 301 that brings out the worst in local governments. Approximately 142 miles down the road from Ludowici is the barely-there town of Hampton, Florida, which annexed about a thousand feet of the road in the early 1990s, hired a squad of cops with radar guns, and walked away with a quarter-million dollars in annual ticket revenue. Things didn’t end well. The mayor went to jail for allegedly dealing oxycodone and the Florida legislature threatened to dissolve the town’s charter. And just a few miles off 301 to the north is the speck of Oliver, Georgia, which has an unusually aggressive police department. In 2010, a politician from a neighboring county erected a vengeful billboard at the border: DON’T GET CAUGHT IN A SPEED TRAP.

“If Lester Maddox can do it, so can I,” Commissioner Jeff Utley bragged to the Savannah Morning News. Oliver’s police chief responded that he was unimpressed with the billboard—and with local drivers. “We don’t hide,” said the chief. “We always sit in the same spot. I can’t help it that he’s an idiot.” 

 

The Ludowici trap had perished by 1975, after Interstate 95 opened and took all the traffic away, leaving only a one-stoplight crossroads still struggling to find an economic base in the middle of loblolly tree farms. “We’re trying to portray Long County as a place without red-light problems,” said Chapman. Embarrassment over the town’s reputation lingers; a few years ago, residents stopped southbound traffic and handed out fruit baskets instead of traffic tickets. Even those who had nothing to do with the chicanery don’t want to rattle old bones, or shake old rubber hoses. “That was not a good time around here, a dark time,” said Long County Sheriff Craig Nobles, whose father served during Dawson’s reign. “And you know, I really don’t want to talk about it,” he continued. “If you’ll excuse me, we need to go catch a fugitive.” 


Enjoy this story? Subscribe to the Oxford American





Tom Zoellner

Tom Zoellner, an associate professor of English at Chapman University, is the author, most recently, of Train: Riding the Rails that Created the Modern World—From the Trans-Siberian to the Southwest Chief.