The Middle Eight
A Ballads Songbook
By Oxford American
Warm Leatherette, 2019, acrylic on canvas, by Abe Odedina. Courtesy Ed Cross Fine Art, London, and the artist. Photograph by Alan Roderick
Misty-eyed dreamers. Reluctant romantics. Doomed antiheroes. Heartbreakers, and the owners of the broken hearts. Whether protagonists in a grisly plot or narrators of an epic love, these are the sorts of folks who populate great ballads. In this songbook—named for the pivotal section of the thirty-two-bar form, or ballad form, where the lyric shifts and the music transcends—eight writers celebrate how these characters and composers, with their private confessions and messy motivations, reflect and transform the stories we tell—and sing—about ourselves.
1. Radical Light
The cosmic collision of Roberta Flack and Donny Hathaway
by Ashawnta Jackson
2. Ballads by Request
Sid Hemphill and "The Strayhorn Mob"
by Jim O’Neal
3. Lost in Love
How “I Can't Make You Love Me” became a modern standard
by Annie Zaleski
4. Smile with the Sad
The hopeful melancholy of Project Pat's “Life We Live”
by Ben Dandridge-Lemco
5. The Only Exception
On Paramore and forgiving past selves
by Maggie Boyd Hare
6. Horse Girls
Death, ponies, and the Local Honeys
by Madeline Weinfield
7. Never Walk Alone
Aretha Franklin’s gospel as heartache’s balm
by Noah T. Britton
8. Getting On
Madvillain’s “Accordion” and the double-bind of making it
by Harmony Holiday