This limited-run poster of our latest issue cover features “My butterfly year” by Dianna Settles, a Vietnamese-American artist from Atlanta. Her paintings trace “relationships to nature, autonomy, self-sufficiency, protest, work, and the solitude necessary for being amongst others.” Supplies are limited so grab this collector’s item today!

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Much to Carry: Remembering My Mother’s Catfish Stew

A video supplement to “My Mother’s Catfish Stew” by John T. Edge


“She was a genius, I’ve come to recognize, at recasting defeats as glorious spectacles. Faced with small-town ignorance, fearful of what small-town boredom might wrest from her, she did her best to divert and subvert. Looking back, I see my best self in her flagrancy. And I glimpse what my worst self might have nurtured, had the darker times in Clinton defined my life.”

—John T. Edge, “My Mother’s Catfish Stew”

John T. Edge, the director of the Southern Foodways Alliance and author of The Potlikker Papers: A Food History of the Modern South, has served as an Oxford American food columnist since 1997; under the shingle “Local Fare,” he interrogates trends, profiles innovative figures, and upends assumptions (sometimes his own previous assumptions) with passion, style, and intelligence.

For this video, filmmaker Ethan Payne interviewed John T. Edge about his childhood in Georgia, preparing to send his son to college, and his mother’s catfish stew.

Credits:

Camera/Sound/Edit: Ethan Payne
Produced with funding from The Julia Child Foundation for Gastronomy and the Culinary Arts
Music: Gresham Cash


For more, read “My Mother’s Catfish Stew” by John T. Edge, published in the fall 2019 issue.





Ethan Payne

Ethan Payne is a musician, documentary filmmaker, and photographer living in Atlanta, Georgia. His work has been featured in ArtsATL and the Bitter Southerner, and his “Soundies” series has heralded acts such as Punch Brothers, Chairlift, and Dr. Dog.