Archival image (detail) from the Severance project by Katherine Yungmee Kim, winner of CDS’s 2017 Lange-Taylor Prize; katherineykim.com.
SEVERANCE
By Katherine Yungmee Kim
A Dispatch from the Center for Documentary Studies at Duke University
In the Center for Documentary Studies’ (CDS) first dispatch for The By and By series in 2017, we noted some of our similarities with the Oxford American, as university-affiliated nonprofit arts enterprises in the South with a shared reason for being: the enduring, transformative power of stories. We’re honored to continue our collaboration with such natural partners, and to feature the work of Katherine Yungmee Kim in our first story for this year’s series.
The writer and journalist is the latest recipient of our $10,000 Lange-Taylor Prize, which supports a long-term fieldwork project that uses both words and images in its powerful representation of a subject. Severance, her ongoing exploration of one of the world’s most dangerous geopolitical borders, is a visual “novel” that incorporates text and archival and family photographs to trace a personal and political history of the Korean peninsula’s Demilitarized Zone (DMZ). Roughly following the 38th parallel, the 155-mile-long, 2.5-mile-wide buffer of land that separates North and South Korea was created as a result of the post–Korean War armistice agreement in 1953. Raised in South Korea and the U.S., Katherine traveled to the area several times as a reporter in the early 1990s, but her more personal interest was sparked by her maternal grandmother’s unfulfilled longing to return to the family’s house on property that was taken after the war and became part of the DMZ.
On a grant-funded trip in 2013 for the 60th anniversary of the armistice agreement, she interviewed people who lived or worked near the DMZ or who traveled there—teachers, an ecologist, a miner, a DMZ historian, soldiers, tourists. She visited sites along the heavily armed and fortified divide—the infiltration tunnels, observation posts, a remembrance museum, an amusement park. Back in the U.S., she interviewed family members and academics “to understand how Koreans regard this area as a symbol/scar of their country’s separation, longing, loss, and suffering.” Millions of Korean families separated during the war have remained forcibly estranged since 1953. An estimated 100,000 Korean Americans are divided family members, with relatives living in North Korea. “I watched as my grandparents’ generation passed away without the chance of ever reuniting,” Katherine writes. The Lange-Taylor Prize will allow her to continue archival work in the U.S. and South Korea and to explore other aspects of the DMZ, which is both a no-man’s-land ecological preserve and site of some of the fiercest fighting in the Korean War.
Following is a selection from Severance, which she hopes to publish as a book. Short nonfiction pieces share a corresponding image that she describes as a counterpoint rather than an illustration, with the archival images and snapshots adding “elements of history and nostalgia to emphasize the division of a nation.” Together, words and images comprise a documentary narrative that delves into “the plight of the modern Korean family and emigration . . . and the larger international and personal implications of borders, civil conflicts, security, freedom and identity.”
—Elizabeth Phillips, CDS Communications Director
The Center for Documentary Studies is accepting submissions for this year’s Lange-Taylor Prize through May 15, 2018
This installment of The By and By is curated by the Center for Documentary Studies at Duke University (CDS). CDS is dedicated to documentary expression and its role in creating a more just society. A nonprofit affiliate of Duke University, CDS teaches, produces, and presents the documentary arts across a full range of media—photography, audio, film, writing, experimental and new media—for students and audiences of all ages. CDS is renowned for innovative undergraduate, graduate, and continuing education classes; the Full Frame Documentary Film Festival; curated exhibitions; international prizes; award-winning books; radio programs and a podcast; and groundbreaking projects. For more information, visit the CDS website.
Enjoy this story? Read more at The By and By and subscribe to the Oxford American.