NEW MERCH,

SERVED FRESH

In celebration of the bright and beautiful cover of our Spring Food Issue, our persimmon ‘Not A Tomato’ cap and green bean mug pair perfectly with an issue that explores what may look—and taste—simple but never is.

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The Bee Charmer

I want Fried Green Tomatoes to be seen for what it is: a story of two women in love.

By Austyn Gaffney

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To Zion, Marching

Hill gave grace and dignity to women who wanted to work and be mothers.

By Nadirah Simmons

Points South

Points South Live featuring Buffalo Nichols and Oluwatobi Adewumi

Join our live taping of Points South.

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Take a Day and Walk Around

His backing band began a simple reggae beat while Zappa wailed on his guitar, the sound fuzzy but sharp with skill. He played with emotion, with sincerity.

By Savanna Bader

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Stand Up, Stand Out

If there can be a quality associated with what makes a comic quintessentially Southern, it’s the need to be bullet-proof on stage, to command a room.

By Eric Farwell

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Up South Soundtrack

Check in for new album recs and playlists from OA staff and contributors

By Oxford American

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Auspicious OA Debuts 2021

New and notable bylines from the past year.

By Oxford American

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Pushcart Prize XLVII Nominations

The Oxford American is thrilled to announce our Pushcart Prize XLVII nominations, representing an electric range of essays, short stories, and experimental works from 2021.

By Oxford American

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Top Stories of 2021

As we head into a new year, we’re looking back at the top stories of 2021.

By Oxford American

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Hear It Everywhere

His fearless androgyny and wailing voice broke from what I had imagined as my grandma’s music, from my family’s music.

By Perrin C. Smith

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Seven Down with Simon Marotte

It is by no means predictable—on some occasions, I spend hours researching to generate ideas; on others, a theme comes to me in my sleep.

By Oxford American

Landmark Sessions: Amythyst Kiah

Kiah describes herself as a Southern Gothic, alt-country, blues musician. Watch her performance and an intimate discussion with OA contributor Rachel Louise Martin.