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In celebration of the bright and beautiful cover of our Spring Food Issue, our persimmon ‘Not A Tomato’ cap and green bean mug pair perfectly with an issue that explores what may look—and taste—simple but never is.

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Eyes on the South

Eyes on the South

From Black, Queer, & Untold: A New Archive of Artists, Designers, and Trailblazers

By Jon Key
Issue 124, Spring 2024

Strange Parallels

A humongous conch shell, fenced in by chain-link. A tourist trap shaped like a lopsided ocean liner.

By José Castrellón
Eyes on the South

A Way to Get Gone

Darryl DeAngelo Terrell’s images conjure a mythic link between land and liberation.

By Darryl DeAngelo Terrell
Eyes on the South

Atlanta Signage: Looking Up

This ongoing photo series gives light to the seemingly overlooked places and signs in Atlanta that may not stand the test of time and...

By EWANG

In Two Places at Once

June Canedo de Souza documents the very nature of families and the notion of home.

By June Canedo de Souza

Facts and Fictions

This collection of photographs depicts the “residue of cultural memory” that exists in Rabun, Georgia.

By Jennifer Garza-Cuen

 

 

Issue 120, Spring 2023

Dear Atlanta: Manipulation of the Reflection

In her visual love letter to ATL, Nicole Hernandez photographs authentic interactions between friends, lovers, and mothers.
Eyes on the South

An Overwhelming Cacophony

In The Sound the Dryfly Makes, Ian Mahathey considers how boyhood aspirations are transformed by adulthood.

By Ian Mahathey
Eyes on the South

For Queer Kids

Peyton Fulford’s Infinite Tenderness explores notions “of intimacy and identity among the LGBTQ+ community in the American South.”

By Peyton Fulford
Eyes on the South

Collective Identity

Daily life in the small town of Wilson, North Carolina

By Keith Dannemiller

Eyes on the South

In the Georgia Archives

A modern interpretation of early twentieth-century Georgia folklore and mythology inspired by the W.P.A. Georgia Writers Project collection.

By Alec Kaus
Eyes on the South

Old Atlanta

Photographs taken in the 1960s and ’70s, featuring Atlanta’s Summerhill, Old Fourth Ward, and Vine City neighborhoods, as well as the MARTA bus line.

By Rusty Miller
Eyes on the South

Excellence and Diversity

A selection of works from the Do Good Fund collection
Eyes on the South

On the Margins

Tamara Reynolds documents with arresting clarity the community in and around the Drake Motel in Nashville, Tennessee.

By Tamara Reynolds
Web Feature

Behind the Lens

By Jeff Rich
Eyes on the South

On Set

Harris’s series documents independent film sets, exploring “how the region is seen, imagined, and created by contemporary visual storytellers.”

By Alex Harris

Not Even Past

By Lake Roberson Newton
Eyes on the South

Heat and Haze

His conscientious documentation of light and texture creates a throughline in an otherwise seemingly disjointed collection.

By Eric Ruby
Eyes on the South

Horseshoes and Healing

Liz Moskowitz documents “the transformative experience of equine therapy” among veterans and their families.

By Liz Moskowitz
Eyes on the South

Night Hike

The images in her project meditate on the stillness and isolation of walking alone.

By Meg Roussos

Long Tail Effects

By Ryan Burleson
Eyes on the South

Artist of Industry

By Richard Sexton
Eyes on the South

Water Feature

This project illustrates Hamrick’s belief that water connects people “to one another and to nature.”

By Frank Hamrick
Eyes on the South

Work from SlowExposures

A theme of quiet dignity underscores each striking portrait, sunlit vignette, and solitary landscape.

By Jeff Rich

Shades of Gray

By Andrew O'Brien