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Paul O'Mara’s photographs capture the essence of fellowship at Rome International Speedway.
By Paul O'Mara
These works transform bodies and objects into an erotics of absence.
By Sharon Shapiro and Jody Fausett
Allowing only foot and horse traffic, it “also conjures an eerie ghostliness at quieter times of day.”
By Michaela O'Brien
Migration and the definition of home through self-portraiture, archival photographs, and sculptural installations.
By Jay Simple
June Canedo de Souza documents the very nature of families and the notion of home.
By June Canedo de Souza
This collection of photographs depicts the “residue of cultural memory” that exists in Rabun, Georgia.
By Jennifer Garza-Cuen
In her visual love letter to ATL, Nicole Hernandez photographs authentic interactions between friends, lovers, and mothers.
In The Sound the Dryfly Makes, Ian Mahathey considers how boyhood aspirations are transformed by adulthood.
By Ian Mahathey
Peyton Fulford’s Infinite Tenderness explores notions “of intimacy and identity among the LGBTQ+ community in the American South.”
By Peyton Fulford
Daily life in the small town of Wilson, North Carolina
By Keith Dannemiller
A modern interpretation of early twentieth-century Georgia folklore and mythology inspired by the W.P.A. Georgia Writers Project collection.
By Alec Kaus
Photographs taken in the 1960s and ’70s, featuring Atlanta’s Summerhill, Old Fourth Ward, and Vine City neighborhoods, as well as the MARTA bus line.
By Rusty Miller
A selection of works from the Do Good Fund collection
Esparza photographs lived experiences that highlight a complex and under-told history of Texas.
By Jenelle Esparza
For Mika Fengler, the practice of photography is a buffer against “the incessant drumming of capitalism’s effects on culture and the land.”
By Mika Fengler
In “The Kids Will Be All Right,” Jones collects a set of black-and-white photographs that exist on the border of calm and chaos.
By Cory Jones
By Nicole Hernandez
This ongoing photo series gives light to the seemingly overlooked places and signs in Atlanta that may not stand the test of time and gentrification.
By EWANG
Through processed photos, image-based artist Billie Carter-Rankin witnesses her grandmother's growth in Milwaukee as part of the Southerners who moved North during the Great Migration.
By Billie Carter-Rankin
Imagining modernized fossils made up of organic elements fused with discarded plastic objects
By Kristen Regan
I hunt for the archetype in the landscape and find hints of the apocalypse in the world around me.
By Julie Dermansky
By Will Warasila
By William Greiner
